By Ellen T. Armour
Armour exhibits how the writings of Jacques Derrida and Luce Irigaray can be utilized to discover feminism's white presumptions in order that race and gender should be considered in a different way. In transparent, concise phrases she explores the probabilities and boundaries for feminist theology of Derrida's notion of "woman" and Irigaray's "multiple woman," in addition to Derrida's pondering on race and Irigaray's paintings on faith. Armour then issues a fashion past the race/gender divide with assistance from African-American theorists equivalent to bell hooks, Hortense Spillers, and Patricia Hill Collins.
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