The god Shiva is totally seduced via Mohini, the captivating lady shape assumed by means of the god Vishnu through the churning of the sea for nectar. A barber employs wit and wile and rumours of witchcraft to win his spouse again from the lustful attentions in their king. The celestial nymph Urvashi curses the Pandava prince Arjuna whilst he rejects her sexual advances. a lady stuck in adultery befools her elders with a spiritual ritual. a guy with a unpleasant lacking spouse insists however that she be recovered by way of his ruler who has the same challenge.
subtle, colloquial, romantic, cynical, satirical by means of turns, those tales of erotic love, elegantly translated from the Sanskrit classics, make a sustained argument for the secular ends of lifetime of hope tempered with discrimination and delight with restraint.
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Extra info for The Seduction of Shiva: Tales of Life and Love
So much jātaka bills of his deeds in former births stay at the cultivation of virtues like compassion and taking care of others, fact, endurance and strength of mind, as must haves for eventual enlightenment. during this high-quality heroic story it's love for the liked in all its glory. the story additionally has satirical reviews on social occasions of the time. Couched in sleek and evocative language, it indicates good points of either the kāvya and the smriti genres in its appealing attractiveness and its reverential piety. The in simple terms narrative content material of Sanskrit literature usually seems to be to were overshadowed through the scholarly awareness dedicated to its philosophical, sacerdotal, linguistic and educational dimensions. The relevant tales within the nice epics are renowned, yet now not both so the numerous stories inside of stories additionally they include. the varied tales in the purāṇa histories are even much less identified to fashionable readers. Altogether those represent a treasure trove of excellent narratives deserving of higher current realize for his or her ageless and basically human content material compared to any didactic expositions which accompany them. this is applicable no much less to the multitude of alternative much less identified tales from sacred or secular Sanskrit literature to which the stories provided right here could be a pointer. The textual assets of those translations are indicated on the finish of every story. My renditions try and mix constancy to the unique texts, and an attempt to additionally show anything in their flavour, with the necessities of recent English utilization. at times they contain brief preliminary retellings to supply a context to the tale and coffee omissions to prevent repetition. In all instances i've got devised the tale titles for ease of analyzing. The earliest of those translations, that of the Puranjan allegory, used to be made approximately a quarter-century in the past and seemed in a touch varied shape in 1989 within the nationwide bring in of latest Delhi. The translations of the tales from the Daśa Kumāra Charitam and the Shuka Saptati are revised types of these which previous seemed in my books with a similar names released respectively through Penguin in 1994 and by way of HarperCollins in 1999. the remainder are awarded right here for the 1st time. i need to thank R. Sivapriya of Penguin India for our discussions approximately this booklet and for giving me time beyond regulation to paintings on it. It used to be accomplished on the houses of my daughter Sharada, and of my son and daughter-in-law, Vikram and Annika, to whom I ship my love and gratitude, in particular to my grandson Nikhil for his counsel with the pc and to my granddaughter Freya for her vigorous corporation. i'm additionally obliged to Shatarupa Ghoshal of Penguin for copy-editing this e-book, and to Shafali Bhatt and Rajeev Mishra of the India foreign Centre library, New Delhi, for his or her aid with the textual and reference fabric. such a lot of all I thank my pricey spouse Priti for her unfailing help and encouragement during this as in all my paintings, in lots of methods no phrases can describe. Nor can they my sister Rashmi, to whom this publication is devoted on her birthday at the present time.