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By Richard Arnold

The 3 writers tested in Richard Arnold’s Trinity of Discord, Isaac Watts, Charles Wesley, and William Cowper, are often called well-known poets, yet also are the best and so much popularly compiled and used hymn-writers of all time. whereas masters in their variety, they have been so remarkably varied, contemplating they have been operating within the similar (and particularly new) style. additionally, while thought of of their poetic-historical contexts, it truly is noteworthy that Watts will be noticeable as an archetypal Neoclassicist (not not like Pope and Johnson), Wesley as a transitional pre-Romantic (not in contrast to grey and Collins), and Cowper a thoroughgoing Romantic (not in contrast to Wordsworth and Coleridge, yet with a miles sharper mental edge). so much noteworthy is that Watts, Wesley, and Cowper come earlier than their later opposite numbers and their respective events: their significance to mainstream or canonical literary background can't be over priced.
by way of the hymn’s improvement within the 19th and 20th centuries, those 3 stand as beacons within the style, if now not person species of a multiform style itself. of their time and context, those 3 have been, whereas mockingly out of music with the established order, and significantly assorted from one another, forging a brand new and eternal style, one born out of a veritable trinity of discord.

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